This The original project, which had passed some modifications was the project titled „Catharsis”. It was based on my artistic experience of an object, specifically on the interaction between aesthetics of classical art, and the final product of an inner form (in this case, the brain consciousness) The process of transformation, is not only based on transformation of the form itself, but also on the anatomical structure of an object, which has its own internal processes.

The observer can feel the anatomy of the sculpture, however after the short examination it’s rather deformed version that differs from realistic anatomy. One can perceive it erroneous. However, it is the product of the imagination.

In classical arts the artist aims to modify his perception of an object while observing the forms (arts) of antiquity, it is a variation of reality, kind of coexisting reality. My goal was to create such a modification that would give a base for new aesthetic grounds, that could create an sensuous form that would change the inner interpretation of beauty. Human gains the „ultimate image of beauty” through cultural experiences, society to which the individual belongs to, usually shares the same image of beauty. But beauty is never a fixed and stable idea it varies depending on the „state and form” of certain civilization.

It is also linked to the subject, which „consumes” a given century, forming the inner Spirit of the Era. „The Spirit of the Era” can be captured by creating (in terms of art) the ultimate(marginal) form of interpretation of the era, by means of the marginal form, artist creates a core that brings a different type of an artistic communication. The project primarily consists of the series of sculptures. The exterior of the exhibition hall was to highlight the classic peace that fuses with restlessness of the matter(sculpture), its deformation, which differs from the classical form of beauty, never the less, still a form of beauty. Deformation, deviation, disease all have a distinct nature of their own, it is a kind of reverse matter which despite its distinctiveness has definite form, and a definite pattern of harmony, which in comparison to certain standards of beauty is considered as „uncouth or crude”, the truth is it can not be consolidated in into one reality or a fixed scheme.

Neuro-aesthetics i searching for neurobiological basis of aesthetic experience, suspecting a various brain response to various forms of art. Art which is based on the anti-aesthetic responses, can be observed through the „prism of art” when it is affecting cognitive-emotional reactions, however, the severity of dysfunction caused by a reaction to the ugliness, when observer perceive the deformed object is rather based on the sensations of stimulus, further the decision-making process occurs, which allows to experience in art multiple dimensions; evoking an aesthetic feeling in observer, despite experiencing (observing) a form which denies beauty by all meas.

The contrast between the integrity of the harmony of antiquity, and its right on pristine beauty, merge together with deformation of matter, and the anatomical deformity.

The entire project Catharsis not only about sculptures, but also about the space that surrounds them.

All the walls, ceiling and floor should be covered with a black reflective plastic. On some walls, multimedia projectors should be positioned in such a way that the perspective would be extended and distorted so that the exhibition hall would influence to a large extent on the sense of reality of the observer. Power of the hall interior is in deformation of perspective, and feeling the infinite reflections.